In the final scene of the Euthydemus, Socrates
argues that because the art of speechwriting
merely partakes of the two good arts philosophy
and politics, it places third in the contest for
wisdom. I argue that this curious speech is a
reverse eikos argument, directed at the speechwriters
own eikos argument for the preeminence
of their art. A careful analysis of the partaking
relation reveals that it is rather Socratic dialectic
which occupies this intermediate position
between philosophy and politics. This result
entails that Socrates’ peculiar art is only a part
of philosophy, and its practitioner only partially
wise.
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